Saturday, May 24, 2014

The non-critic's critical review of the Labyrinth tv miniseries


So I just finished watched the CW's miniseries tv series Labyrinth and I don't think I've ever suffered from such a sense of being jilted (well maybe with the exception of Elysium, but I kind of knew that one was going to be bad going into it) and trust me, hell hath no fury like a woman scorned. Basically it's an indie mini series that the CW bought distribution rights to and have been peddling it as a "companion piece to the tv series Reign". Now obviously CW's president has no idea what he's talking about other than a vague sense that both productions involve some form of women prancing around in costume gowns and there's some knights or nobles or something or other along those lines. While Reign has MANY flaws, it's main draw is as a period piece setting for the teenage love triangle that the CW "reigns" supreme in. (think Dawson's Creek but in 16th century French court). Labyrinth on the other hand is touted as an ancient archeological mystery following the lives of two women, one in the 13th century and the other present day (think poor man's Dan Brown). According to the reviews, the series is slow moving but promised appeal to those historically inclined which drew me in immediately since I had just finished watching a documentary about Mathilde of England. With all the talk of how boring and slow and long it was, I was expecting some educational exercise in medieval and theological history, but no...it was just bad. period. For the potential viewer to digest how bad it is, let me explain in a couple of brief points
Labyrinth miniseries review

1. Part I was REALLY slow.  It's mostly a lot of "setting the stage" where you meet the characters and it's kind of compelling if you're a history nut since there's a lot of scenes involving depictions of medieval life and times as well as some background on the massacre of Cathars. Basically Part I sets up "the mystery" but it was so slow-going at one point I asked myself how could they possibly tie it all this together in another 1.5 hours? and therein lies problem #2...

2. They Don't.

 Part II was REALLY fast and had no plot. It almost came off as if the producers really wanted to make a sincere historically intricate film but ran out of time or budget and basically slapped a bunch of scenes together that kind of made sense, and called it a day. In part I, you learn about Alice in modern day and that she shares some psychological connection with this woman Alais in 13th century France, and that's it. In part II, so many other parties/characters are thrown into the mix that lead nowhere- there's the villainess head of some order centered around the labyrinth, the potential love interest but his storyline isn't really developed, and then some religious nut who keeps butting in and bad sibling rivalry, the introduction of John Hurt's character...it was all very slapdash and clumsily put together. The Deus Ex Machina of the plot really took away from the storyline which leads to my main problem #3

3. YOU NEVER REALLY FIND OUT "THE MYSTERY OF THE GRAIL"! Ok, well you kind of do, but it was a cop-out, muddled, poor excuse for an answer and it in NO way answered the mystery that was posed in Part I. In Part I you are introduced to the Cathars and you learn about a mysterious Muslim who is the "navigator" of an ancient religion requiring all three books to be brought together at a certain date, so they can be deciphered and some magical event can take place. Basically I'm sitting there thinking the damn cosmos is going to realign like something along the lines of The Fifth Element, and the retard screenwriter throws some low budget ABC family crap ending for viewers to lap up. NOT IMPRESSED. And it wasn't just the main mystery, there's so many subplots that's never solved/explored- there's a dead body introduced in the beginning but it's never really tied to the rest of the story, the evil older sister is out to get Alais but you never figure out how/why she knows about the order etc, what was the point of Alais's husband in the story? What was the point of adding Draco Malfoy's useless character? (and is it just me or is he just as whiny when playing a good guy?) Why did the bad crusader who was after the books all of a sudden just...stop? Yeah. It's one of those films...SMH....

Overall, it's just the kind of thing you should expect from regular basic tv, low budget and poorly cobbled together, which is pretty much all of the CW, but at least their regular lineup hits the sweet spot in whatever low form of entertainment you indulge in, but this labyrinthine convoluted mess won't push any of your buttons, whatever buttons you may have. Not for romance, not for action sequences, not for twisted ingenious plots, not for ending, not for history and definitely not for acting.

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